Spinoza Bibliografie

Hrsg. von der Spinoza-Gesellschaft e.V. unter Leitung von Manfred Walther

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Eintrag Nr. 10784
Literatursorte Aufsätze
Verfasser Boehm, Omri
Titel The first antinomy and Spinoza
Titel Zeitschrift / Sammelband The British journal for the history of philosophy
Zählung 19, 4
Jahr 2011
Seiten 683-710
Sprache englisch
Sachgebiete Metaphysik / Ontologie, Erkenntnistheorie / Methodologie / Philosophie des Geistes, Rezeptionsgeschichte
Behandelte Personen Kant, Immanuel
Autopsie nein
Vollständig bibliografisch ausgewertet nein
Kommentar deutsch "In the first part of the paper, I argue that the first Antinomy, debating the age and size of the world, already reflects Kant's confrontation with Spinozist metaphysics. Specifically, the position articulated in the Antithesis – according to which the world is infinite and uncreated – is Spinozist, not Leibnizian, as commonly assumed. In the second part of the paper, I raise the chief Spinozist challenge to the Antinomy, arising from Spinoza's reliance on a cosmological `totum analyticum' – an infinite whole which is prior to its parts. In conclusion, I begin to elaborate a defence of the Kantian position, confronting Spinoza's infinite whole with Kant's account of the absolutely infinite in his discussion of the sublime." (aus dem abstract)
Kommentar englisch "In the first part of the paper, I argue that the first Antinomy, debating the age and size of the world, already reflects Kant's confrontation with Spinozist metaphysics. Specifically, the position articulated in the Antithesis – according to which the world is infinite and uncreated – is Spinozist, not Leibnizian, as commonly assumed. In the second part of the paper, I raise the chief Spinozist challenge to the Antinomy, arising from Spinoza's reliance on a cosmological `totum analyticum' – an infinite whole which is prior to its parts. In conclusion, I begin to elaborate a defence of the Kantian position, confronting Spinoza's infinite whole with Kant's account of the absolutely infinite in his discussion of the sublime." (from tne abstract)
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